From an email interview with All These Wonderful Things:
All these wonderful things: One thing I’ve heard repeatedly from members of your team was that, early on, you were alone in your conviction that Thierry could and should be the narrative focus of the film – long before his show in LA that concludes the movie. What drew you to Thierry as a film character and, aside from the fact that he had a lot of archival material about street art at his fingertips, why did you think that he could sustain the film’s narrative arc?
Banksy: Thierry’s entertainment potential wasn’t difficult to spot – he actually walks into doors and falls down stairs. It was like hanging out with Groucho Marx but with funnier facial hair. Thierry arrived at a point when my world was becoming infested with hipsters and heavy irony, so his exuberant man-child innocence was fun to be around. Maybe I convinced myself Thierry was a good subject just because I liked him. I’d be lying if I told you the first time I met him I thought ‘this man’s life will deliver a good narrative arc’.
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